英语翻译恳请英语达人帮忙翻译现今,很多中国电影研究学者中较为杰出的人才,都将安德烈•巴赞作为与蒙太奇学派对立

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现今,很多中国电影研究学者中较为杰出的人才,都将安德烈•巴赞作为与蒙太奇学派对立的典型,认为巴赞不仅反对蒙太奇作为电影艺术的本体,同时也反对他们具有权威性的话语权,所以他们的这些理论也逐步成为了主流的“电影真理”.但是在笔者看来,巴赞对于蒙太奇和长镜头之间的关系肯定不是极端二元对立,而是一种各有主次,相互融合映射的关系.在巴赞认为,电影首先是一种本体论立场,然后才是一种美学立场,这里的本体就是指向长镜头与景深镜头,而美学亦是指向形式化的蒙太奇.电影的历史也正是发展到那些刻意的、做作的表现手法已经不合时宜,妨碍人们去追求真实和深刻的时候,巴赞站了出来,他用历史发展的观点提出长镜头在电影中应先与蒙太奇.这更像是绚烂之极归于的平淡,巴赞也应该十分清楚如果没有绚烂之极,也就不会有之后的平淡和本真.
巴赞是一位真正的电影大师,具有真正的大师情怀,也更是在那个艺术欲望膨胀的年代将长镜头和蒙太奇具体化运用的先进者,而不是一个坚持非此即彼二元论的艺术愤青.
关键词：巴赞 本体论 长镜头 蒙太奇 主次关系

Today,many Chinese scholars in film studies more outstanding people,will be • Andre Bazin and the montage as opposed to the typical school,that Bazin not only against the art of film montage as an ontology,but also against their authoritative discourse Right,so they gradually become the mainstream theory "film truth." But in my opinion,Bazin,montage and long for the relationship between the lens is certainly not the extreme dualism,but a have primary and secondary,and fusion of Maps.In Bazin believes that the film is an ontological position first,and then is an aesthetic stance,the body is the point where the lens and the depth of field long lens,but also point to formal aesthetic montage.It is the development of film history to those who deliberate,contrived expression means outdated,impeding people to pursue the true and profound,when Bazin points out,he put forward the view of history and a long shot in the film should be first and montage.This is more like the most gorgeous attributed to the flat,Bazin also should be very clear,if not the most gorgeous,would not have followed the plain and the true.
Bazin was a true movie master,a master of real feelings,and more desire in the art of the era of expansion will be a long montage of the lens and the use of advanced,not a one insist on either-or dualism of art angry youth .
Key words:long-shot montage Bazin primary and secondary Ontology relationships