一篇英翻中的短文 Marcia Gaylord’s Electra Complex:A Footnote to Sex

一篇英翻中的短文
Marcia Gaylord’s Electra Complex:A Footnote to Sex in Howells（标题）
Ludwig Lewisohn,that vigorous Freudian of a past era,was the critic logically qualified to sum up many decades of abuse heaped upon William Dean Howells.In 1932,Lewisohn assailed Howells for his prudish and genteel pussy-footing around the crucial facts of life between the sexes,for his” falling into a kind of negative frenzy at the slightest suggestion of man’s mammalian nature and hence [his being] as obsessed by sex as a fighting prohibitionist is by alcohol.” But once,in A Modern Instance,wrote Lewisohn with stinting praise,” Howells struck a deeper and more impassioned not…than in any work before or after.” What Lewisohn responded to most heartily was the portrait of Marcia Gaylord,whom he described as “a predatory and possessive femal of a peculiarly dangerous and noxious kind,deawn with the most vivid energy and impassioned skill—an energy and skill that could spring from nothing less than an experience,personal orintimately vicarious,of the type.”
Since Lewisohn,a number of critics have commented briefly,and more perceptively,on the subject of sex in Howells,with particular mention of the strongly passionate nature—even sexuality—of the heroine of A Modern Instance.Everett Carter notes,and novel when Marcia Gaylord stoops to kiss the doorknob on which Bartely Hubbard’s band had resred seconds before.Edwin Cady has also remarked,with similar reserve,that Marcia appears to have been conceived as an unusually warm-blooded young lady:” Typical of Marcia as a passionate woman is the fact that at moments of stress she blushes,or flushes,with striking color….It is this force,uncontrolled,that makes her Bartley’s victim.”

马西娅盖洛德的恋父情结：一个豪厄尔斯性别的脚注（标题）
路德维希Lewisohn的,那就是过去时代的有力弗洛伊德,是评论家逻辑资格总结后,院长威廉豪厄尔斯堆滥用了数十年. 1932年,Lewisohn抨击他的拘谨和安静的猫,围绕着男女之间的生活的重要事实的基础上豪厄尔斯,为他的“落入1负疯狂实物人类的哺乳动物性质稍有暗示,因此[他作为痴迷]按性别作为一个战斗禁酒受到酒精.“但一次,在现代的实例,说与惜贷赞美Lewisohn,”豪厄尔斯达成了更深入和更热烈不...比之前或之后的任何工作.“什么Lewisohn最衷心地回应是马西娅盖洛德,被他视为“一个奇特的危险和有毒种类掠夺和占有雌性描述,画像,最生动的能源deawn和慷慨激昂的技能和技巧的能源,可以从春天只是一种体验,个人少orintimately替代的类型.“
由于Lewisohn,有评论家也纷纷评论简短,更敏锐,基于性别的豪厄尔斯的主题,特别提到了强烈热情的性质,甚至性行为,对女主人公的现代实例.埃弗里特卡特笔记,小说时,马西娅盖洛德斯托普吻Bartely哈伯德在其上的乐队已经resred秒前门把手.埃德温卡迪也表示类似的储备,这马西娅似乎已被一个不同寻常的热血青年女构想：“作为一个典型的马西娅的是热情的女人,在她脸红的压力,或刷新,以惊人的时刻颜色.正是这种力量,不受控制,这使她巴特利的受害者.“